top of page

Anchor Points

  • Writer: Knowbox dance
    Knowbox dance
  • 3 days ago
  • 4 min read

kNOwBOX dance Film Festival 2026

Official Selection Film Spotlight


Anchor Points (2025)

Directed by Victor Quijada and Sam Greffe

📍 Canada ⏱ 25 min 13 sec

🏆 NBFF Outstanding Choreographic Vision Award (Juried)

Recognizes a film that demonstrates originality, clarity of choreographic concept, and compelling integration of movement and cinematic language.


"This is a very well-crafted documentary that has the ability to really create audiences and engagement because of its visual storytelling. I'm really impressed by the way this tells Victor's story as a career in tandem with his movement discoveries. Works like this are such strong opportunities to engage audiences cross-culturally in addition to helping them understand dance outside of known "form". This is brilliantly crafted, and I'm so excited about it.."

Tori Duhaime, NBFF 2026 Volunteer Juror


Trailer


Film Description

Anchor Points is a 25-minute documentary-style art film by RUBBERBAND that retraces the trajectory of Victor Quijada from street dancer to contemporary choreographer. Through archival footage and visual effects, it examines his personal and artistic evolution and introduces the foundational RUBBERBAND Method as described by company members. The film blends documentary elements with experimental visuals to offer insight into Quijada’s creative journey and the development of his influential choreographic practice.


Meet The Makers

Coming soon!


What do you hope to communicate with our audience through your work?

To leave a trace of the work accomplished in breaking down barriers.



Biographies


Since 2002, Victor Quijada and RUBBERBAND have not only redefined the codes of breaking within an institutional context and enlivened the Quebec dance scene, but have opened the way for new creators fascinated by this dance form. Armed with a technique he conceived for dancers, the RUBBERBAND Method – an electrifying vocabulary combining the energy of hip-hop, the refinement of classical ballet, and the angular quality of contemporary dance – and some 40 creations and collaborations in Canada and abroad behind him, Victor Quijada has always continued to evolve and innovate throughout his prolific career.


Born and raised in Los Angeles, the child of Mexican parents, Victor first danced in the b-boying circles and hip-hop clubs of his native city. He performed with Rudy Perez from 1994 to 1996, then moved to New York City to join THARP!. After spending three years with that company and following a stint with Ballets Tech, in 2000 he came to Montreal to join Les Grands Ballets Canadiens.


In 2002, he founded RUBBERBAND, throwing himself into deconstructing the choreographic principles he had learned by blending them with the raw ideology of his street dance origins. His creations – numerous short works and 15 full-length productions – are distinguished by a powerful theatricality, the energy of improvisation, and certain codes of film language, the whole sculpted with an incomparable precision of movement.


For several years now, Victor has taught the RUBBERBAND Method throughout the world in workshops and internships for many dance companies, dance schools, and universities, as well as on a yearly basis in RUBBERBAND’s workshop for professional dancers, the Summer and Winter Intensive in Montreal. As guest choreographer, he has created new works for dance and circus companies; notably in return commissions for Hubbard Street Dance Chicago, Pacific Northwest Ballet, and Scottish Dance Theatre.


Besides his stage productions, Victor has been involved in almost a dozen dance films, as director, choreographer, or dramaturge. His short film, Hasta La Próxima, was a finalist at the American Choreography Awards in 2004. He also choreographed the music videos Man I Used to Be by k-os, La garde by Alexandre Désilets, and Elton John’s Blue Wonderful. His Gravity of Center – The Movie won Best Experimental Short at the CFC Worldwide Short Film Festival of 2012, among other awards, and was shown at several exhibitions and national and international festivals.


In the area of peer recognition, Victor Quijada was artist-in-residence at Usine C (2004 and 2006) and at Place des Arts (2007-2011), and has won many awards, including Britain’s National Dance Award for Outstanding Modern Repertory (2003), the Bonnie Bird North American Award (2003, U.K.), the Peter Darrell Choreography Award (2003, U.K.), the International Touring Award of the Canadian Dance Alliance (2012), and two awards from the Princess Grace Foundation-USA (Choreography Fellowship, 2010; Work in Progress Residency, 2016).


In December 2017, Victor Quijada received the award for Cultural Diversity at the Prix de la danse de Montréal and was, in 2019, one of the finalists for the 34th Grand Prix du Conseil des arts de Montréal as well as among the four finalists for the 2019 Charles-Biddle Prize, instigated by Culture pour tous and the Ministère de l’Immigration, de la Francisation and Inclusion (MIFI).


In 2024, Victor has been named Fellow of the John Simon Guggenheim Memorial Foundation for his choreographic work, a prestigious recognition for all his achievements.


In 2025, Victor received the Charles III Coronation Medal and became a Companion of the Order of Arts and Letters of Quebec.




Film Credits

Victor Quijada

Director

Samuel Greffe

Director

RUBBERBAND

Producer

Mathematic Studio

Producer

Jean Bùi

Key Cast

Daniela Jezerinac

Key Cast

Jessica Muszynski

Key Cast

Brontë Poiré-Prest

Key Cast

Rion Taylor

Key Cast

Paco Ziel

Key Cast

Victor Quijada

Choreographer

Marc-André Laurin

Cinematography








Comments


bottom of page